Faber & Faber
Available in hardcover and in a 3-volume paperback box set
So I’ve been struggling to get back to the blog lately. I left my Crystalis thing half done and made several starts and stops into writing more about books (sorry The Brief Frightening Reign of Phil, I’ll get to you soon… promise!).
But now I want to talk about a fantastic book that I would never had found if I hadn’t read The Instructions. Over and over, on so many sites, I found references to Skippy Dies right next to reviews or discussions about The Instructions. And rightfully so.
They’re both long, stark looks at youths in religious-based schooling, plumbing the dark depths of their tortured souls. Both main characters fall in love early on in the stories, both characters are generally loners with a strong, small group of friends.
One of the main things I came to really enjoy about Skippy Dies was how Murray played with the timeline.
For instance, the main character Daniel “Skippy” Juster chokes to death in the opening chapter and the next four hundred pages is an investigation told in flashback (the subsequent 250 pages tell of the aftermath of Skippy’s death. Suddenly, we’re there in the weeks leading up to his death, seeing what he goes through.
Additionally, you get several characters’ points of view throughout the novel.
Howard “The Coward.” An alumnus of Seabrook College who now teaches there.
Carl. The sociopathic drug dealer who competes with Skippy over the heart of Lori.
Greg “The Automator.” The Acting Principal of Seabrook. Quick to anger, always plotting.
Ruprecht. The science-obsessed, overweight superbrain that sits by while Skippy chokes to death.
Of course, those are only a few of the characters. Many of the other characters in the book get brief POV paragraphs too. Some reviews I read complained that the characters seemed like stock characters and, to a point, they are. The coach, the priest, the bad-ass mail clerk with a heart of gold… But Paul Murray, much like my buddy Neil Gaiman, can take old ideas and reinvent them in fantastic ways.
Most impressive about Skippy Dies is not only the characterization, but the way the characters interact. Characters twist in and out of each other’s plots, bounce off one another, and all are affected by both the life and death of Skippy, even if they don’t realize it.
After reading Skippy Dies, I highly recommend it. Brilliant writing with some of the most touching and poignant passages I’ve read in the last twelve months, excellent story telling, and some of the most fun, sickening, disturbing, and incredible characters in recent literature.
[PS: I started writing this about a two weeks ago and bounced around it a bit, added, deleted, then knew I had to write about The Raw Shark Texts before it left my conscious mind, so this seems a bit fractured than normal, but… there ya go… read the book… READ IT!]